Tuesday, December 15, 2009

Architect Malcolm Wells: 1926–2009

From Green building Advisor Blog, Dec 8 by Richard Defendorf

A pioneer of earth-sheltered design and longtime advocate of environmental stewardship, Wells developed ways to make buildings complement nature

Architect Malcolm Wells, who made his mark by trying hard not to leave much of one on the environment, died on November 27 at his home in Brewster, Massachusetts, on Cape Cod. He was 83.

Most conventionally constructed buildings, in Wells’ view, were intrusions on nature that hogged space, materials, sunlight, and other resources, and often included "toxic" landscaping. Wells regularly lamented this situation, but he also believed that it was possible to earn at least some measure of ecological redemption by designing buildings according to the precepts of what he called “gentle architecture” – the placement of buildings underground, with just enough of the exterior aboveground to allow convenient access and a comfortable level of sunlight in the interior.

“Every construction project causes environmental trauma; only underground architecture can heal its own earth wounds,” Wells said in a series of comments posted on the website www.malcolmwells.com, which is devoted to the promotion of earth-shelter construction and other types of eco-friendly and energy efficient design. "...A building should consume its own waste, maintain itself, match nature's pace, provide wildlife habitat, moderate climate, and weather, and be beautiful. That's a series of pass/fail evaluation criteria.”

Born in Camden, New Jersey, on March 11, 1926, Wells studied engineering at Georgia Tech and Drexel University after serving in the Marines, but he never did earn a degree. Instead he took on a series of draftsman jobs before apprenticing at a building design firm in New Jersey, where he eventually passed the state licensing exam for architects.

As noted in a New York Times obituary, Wells’ dismay over the level of waste and environmental damage that accompanies some building projects reached critical mass in the mid-1960s, when he was commissioned by RCA to design its pavilion for the 1964 World’s Fair. He couldn’t reckon with the notion that the building would be torn down after the fair ended, and that many of his other building projects left severe scars on what had been pristine natural settings.

Wells’ underground-building concepts didn’t catch on in a big way, but his ideas influenced the work of many in his field.

“As a thinker, he was a hidden jewel,” William McDonough, a Virginia-based architect whose practice focuses on ecologically sound, sustainable design, told the Times. “In the world of what has become known as green building, Malcolm Wells was seminal, actually inspirational, for some people, me included.”

Wells was disarmingly self-effacing about his achievements. In an obit he wrote for himself (and which is featured on malcolmwells.com), Wells remarked that he spent his early years trying to match the level of accomplishment achieved by his older brother, Jack.

“My big brother … had been one of those guys who could do anything: pick up
a musical instrument and play it almost by instinct. Artist, musician, cartoonist, gymnast – you name it. And there I was, his klutzy kid brother, standing by his drawing board, trying to absorb everything I saw. I was never able to do things quite right. So even though I fell into a life of good luck later on, it all came to me slowly, as I tried in vain to be Jack redux.”

More likely than not, the fruits of Wells’ "life of good luck" will continue to benefit everyone who cares about green building.


Monday, December 14, 2009

Fun Theory

This video shows the wonderful expression of the human mind.
To create positive energy while responding to a cultural need can be the path of least resistance.

Problem = Solution(Permaculture)
Problem = Fun Solution - The path of least resistance

Saturday, December 5, 2009

Harvesting honey


Raw, unfiltered.
Well, to be clear, my extraction technique is as follows:
Grab the box and run!
Just kidding.
Ok, so once the box is in the kitchen, I pull a frame and scrape everything into a wire mesh(1/16th" or so) bowl that we use for cleaning greens. Let that sit for a night and viola, ready to go. Scoop it into a jar and let it chrystalize. We will then heat the remaining wax to separate, and have baking honey and wax for salves, finishes, candles and more.
We will begin to develop some top bar hives and are experimenting with cleaning frames to prevent introducing unbalance to the hives. This of course means they need to work more time making comb and less making honey. I already have more honey than I can eat so if it helps the bees, I am committed to their well being.

We have harvested our first full season of honey this fall. I am estimating 50lbs. Basically a full short box minus one frame.
Last year we took 1.5 frames and saved a quart for spring feeding. This year we will save two frames to give them some extra honey in the spring.
The honey was various hues of golden yellow and delicious. Thanks to Todd Hardy at HoneyGardens Apiaries for the hive and guidance to get us on our own with the bees.

Forms for concrete




This post should precede the previous.

Here are pictures of the forms I made for the concrete. I am using at the suggestion of one of my collegues Patrick Kelly the use of sand as a molding agent. This is an ancient and flexible solution for best results on one of a kind forms. A replicable form would be better served by more stable mold agents typically used in molding production.
Using the sand was quick and easy, wetting it allowed me to create the shape of the surface I wanted, particularly the transition between the stonework and the concrete cap.
Depending on desired finish you can treat surfaces accordingly.

Friday, December 4, 2009

Wrapping up Deering for 09



Just back from Deering, NH. The site of the Round House that is in it's 6th year of construction. Some folks like to build a house in a couple months, and some like to take a decade. Hey, it's a nice house.
Pulled the forms for the concrete cap on the stone base. Will trowel a color finish coat to smooth out all the irregularities.
I used plastic to see what kind of finish it would give me, and to allow form to release easy. It gave a very smooth finish but was not consistent because of the form ties that penetrated the plastic and created voids and inconsistent planes. Otherwise it worked fine.
If I did it again I might have made a thicker front edge of 3-4" instead of 2".
The cap really brings everything together. Creates a nice transition from stone to clay plaster above and completes the overall form of the stone wall.